Three-part workshop to help you master storytelling for your career.

TICKETS 🎟

https://www.eventbrite.com/e/impactful-storytelling-for-innovators-disruptors-registration-308707982887?aff=eand

DETAILS

Join us for three 90-minutes workshop sessions to learn from Susan Lindner, leading communications expert on innovation storytelling. Learn what makes stories “stick” and why disruptive and innovative ideas, products, and services require a different kind of story to succeed.

Schedule

Each session takes place from 12:00 PM (EDT) until 1:30 PM (EDT).

Session 1, May 11th: Story Mining

Telling a great story begins with digging deep into our personal, professional, and emotional experiences to find stories from our lives that have meaning for the message we’re trying to convey. This workshop will show you how to find the right story, pair it with the theme you’re trying to convey, and how to take a personal experience to a professional setting that gets people aligned and engaged.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.

A study group with Romi Morrsion

TICKETS 🎟

https://www.eventbrite.com/e/tending-absence-art-making-in-archival-gaps-tickets-332990903757?aff=eand

DETAILS

How can we contend with those things that refuse to be held? That evade the archive? That escape being captured? This four week study group considers the role of the artist as researcher when working with archives and databases. Over the course of the group we will engage core theories of the archive and the database, with a special focus on how critical fabulation and speculation offer creative approaches to scarcity and absence in each form. This course will bring together critical texts focusing on blackness, gender, sexuality, power, memory, and evidence with creative art making practices exploring the offerings and limits of each. Each week we will review selected readings, artworks, and videos to create short artworks that digest the ideas and methods explored together. This group is open to all but ideal for those with creative practices looking to deepen their work with arts based research.